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The film starts earning its noir credentials straight after the stylish title sequence concludes, as the camera drifts up from a busy street scene towards the upstairs bar in which Easy is scouring the job ads, where the scene is set delivered by his own reflective narration It was summer, 1948, and I needed money Easy himself ticks all the right boxes, being a solo figure who is drawn into a web of intrigue by a seemingly simple job, one that quickly blows up in his face and involves him in dark dealings and several deaths

But for the action to flow impeccably from Cocos glamorous lifestyle to the Tribunal (where she defends herself with her scathing wit and mockery) the writer uses the theatrical device of employing two actresses

Perfect for the sweltering heat in Dallas, even though it was held indoors in the evening

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