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I would recommend a rental to the curious horror or true crime fans out there looking for something sort of along the lines of Henry: Portrait of a Serial Killer , but tamer, but at the same time a lot sicker." [7] Time Out found the film to be "a surprisingly sober response to a potentially salacious subject" and wrote, "As with the best scenes of Deranged , the conjunction of colourful case history, odd impulses, gallows humour, low budget austerity and genuinely grotesque iconography produces a felicitous and engaging variant of American Gothic." [8] In a review written for AllMovie , Richard Gilliam commended the film's historical accuracy, production design, and "low-key" approach to its source material, but also found it to be lacking in style, writing, "The problem with the authenticity here is that the filmmakers have managed to authentically capture the dull, boring parts of life in 1950s rural Wisconsin

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