Italian National Cinema Security Analysis and considering the institutionalisation of

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Italian National Cinema Security Analysis and considering the institutionalisation ofFrom such films as La Dolce Vitaand Bicycle Thievesto Cinema Paradisoand Dear Diary, Italian cinema has provided striking images of Italy as a nation and a people. In the first comprehensive study of Italian cinema from 1886 1996, Pierre Sorlin explores the changing relationship of Italian cinema and Italian society and asks whether the national cinema really does represent Italian interests and culture.